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Natasha Morgan

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Where Creativity Begins: Notes from a Morning at The Stones

May 04, 2025

Last Sunday morning, I arrived early at The Stones Open Garden to take photos for the book. It was one of those rare and quiet starts to the day—the kind that gifts you time before the crowds. I wandered with Jeremy as he made those final preparations that gardeners know so well. Tea in hand, camera slung over my shoulder, I felt something I hadn’t felt so poignantly in a while: that deep stillness that invites you to notice, immersed and fully.

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We talked about many things—gardens, yes, but also design, backgrounds, and the creative lens through which each of us sees the world. Jeremy and Grant, as some of you may know, both come from textile design backgrounds. That part of their story stayed with me, not just because of the stunning garden they’ve made in a dry, exposed, and often unforgiving landscape—but because of the way their past experience shapes the way they see.

It reminded me of something I used to say often in my university teaching days: never forget where you’ve come from. Your past—no matter how unrelated it may seem to your current work—always finds its way in. It informs how you see, what you value, what you notice. And often, it becomes the very foundation of your unique creative expression.

As Jeremy spoke about working with only six colours in textile design and how that limitation pushed him to create more intentionally, I found myself reflecting on one of the core ideas I hold close: that creativity often flourishes within constraint. Too many choices can be paralysing. But when you’re limited—by climate, materials, space, or experience—you’re forced to dig deeper. To make do. To innovate.

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At The Stones, the materials are deliberate and honest: stone, gravel, resilient grey-foliaged plants, succulents that can withstand extremes. It’s not just a design choice—it’s a story of place, necessity, and vision. It’s what happens when your materials are shaped not just by aesthetic desire, but by lived experience.

I sometimes think gardens are the most expressive medium I know. They’re not just about beauty or productivity—they’re a reflection of how we see the world. And every designer, every gardener, brings something of themselves to the process. We’re not just growing plants—we’re growing perspectives. We’re revealing something about how we move through the world and what we pay attention to.

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This thread—of creativity, constraint, and inspiration—is one I’ll be pulling at in the book. It’s close to my heart. Not just where we find inspiration, but how we work with what we have. How we shape something deeply personal and expressive out of the limitations of time, climate, budget, experience.

So often, what appears to be a limitation becomes the very thing that gives our work its edge, its depth, its authenticity.

And on that quiet Sunday morning at The Stones, I was reminded all over again that the way we see the world—our lens, our history, our palette—is the start of every great garden. Every great idea.

Thanks for walking beside me as I write and reflect. There’s more to come.

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You may want to check out my related content below:

From Forest Clearing to Town Garden: A Story of Growth – Discover the journey of transforming a space from raw nature to a thriving garden, filled with lessons and inspiration.

Your Ultimate Gardening Inspiration Resource – Curated by our community for our community, this resource is filled with inspiration and practical tips for your gardening journey.

Creativity, Connection, and Beauty at Babbington Park with Lean Timms– Inspired, grateful, and reminded that making time for creativity and connection isn’t always a luxury—sometimes it’s a necessity.

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Thanks so much for reading and for sharing this garden journey with me.

Natasha xx

For glimpses into workshops, daily life, and my thoughts from Little Cottage on a Hill, you can find me on Instagram, Facebook, LinkedIn, and YouTube. And if you’d like a more personal update, subscribe to my Newsletter for a monthly note on what’s growing, what’s inspiring me, and what’s next.

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Zucchini will take over a bed if you let them. I grow mine up a stake. This is how, and why your fruit keeps shrivelling.⁠
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This week I planted out some of my frost-tender plants early, on the strength of watching this unusually warm spring closely.
Zucchini will take over a bed if you let them. I grow mine up a stake. This is how, and why your fruit keeps shrivelling.⁠ ⁠ This week I planted out some of my frost-tender plants early, on the strength of watching this unusually warm spring closely. My usual cutoff is Melbourne Cup weekend. Your date will be different. Observe your own garden before you follow mine.⁠ ⁠ Zucchini are heavy feeders. Sunny spot, rich free-draining soil, plenty of compost and aged manure before planting, and the soil has to be warm.⁠ ⁠ Grown flat, one plant wants a metre of space. I grow them as a single stem up a sturdy bamboo or hardwood stake, put in at planting and tied in loosely with soft elastic ties as it climbs. The ribbed Italian types like 'Costata Romanesco' suit this best. The footprint drops, the airflow improves (most of the fight against powdery mildew), and the fruit stops hiding under the leaves.⁠ ⁠ Pick small, fifteen to twenty centimetres, every second day in peak season. Two days is the difference between dinner and a doorstop.⁠ ⁠ Water deeply and less often, at the base, early in the morning, leaves dry. In a wicking bed the reservoir does this for you.⁠ ⁠ The one everyone asks me about. If small fruit are yellowing and shrivelling from the tip, that is an unpollinated fruit, not disease and not your soil. Male flowers sit on a thin straight stem. Females have a tiny zucchini at the base. Early in the season there are often only males for a week or two, and on cold mornings the bees are slow. So hand pollinate. Early morning, pick a male, peel back the petals, brush the pollen onto the centre of a female. One male does two or three females. A minute's work.⁠ ⁠ These are my wicking beds. I'm building one with a small group at Little Cottage on a Hill on Sunday 1 November. Can't make Daylesford? The Wicking Bed Garden e-book is in the shop too. Both at natashamorgan.com.au/shop⁠ ⁠ The full piece, with the story behind why I grow them this way and how to save seed that comes true, is on Substack: natashamorgangardens.substack.com⁠ ⁠ Natasha xx 🌿⁠ ⁠ #TheProductiveGardenCompanion #NatashaMorgan #WickingBeds #GrowingZucchini #ProductiveGarden⁠ ⁠
My wicking beds exist because of a $900 water bill. The first one I'd had to pay in over 10 years.⁠
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Ten years at Oak & Monkey Puzzle on tank and bore water, and I'd never once seen one. Then we moved into town, to Little Cottage on a Hill, and
My wicking beds exist because of a $900 water bill. The first one I'd had to pay in over 10 years.⁠ ⁠ Ten years at Oak & Monkey Puzzle on tank and bore water, and I'd never once seen one. Then we moved into town, to Little Cottage on a Hill, and suddenly I was paying for every drop. I had to ask myself whether what I was doing out there was sustainable at all.⁠ ⁠ So I cut the tops off IBCs (those big 1,000 litre containers you see on farms), clad them in timber, painted them black for winter warmth and lined them up along the house side of the northern fence at hip height. Each one holds around 300 litres in a reservoir at the base, and the soil above drinks it up from below. At the height of summer I can go a week between waterings. And gardening standing up is a true gift, my back will tell you.⁠ ⁠ Then the harvest. From 6 of those 1x1m beds I picked over 160 kg of produce in just 8 weeks (yes I measured and weighed it all for my book ‘The Productive Garden Companion’). I've gardened my whole life, and still I was utterly blown away. Every crop you can imagine has thrived in my wicking beds and still does. Right now there’s cabbage, celery, purple sprouting broccoli, sugar snap peas, salad greens, cauliflowers, onions, carrots, edible flowers and so much more, all from a tiny space. (I don’t even have my summer crops in!) Coming from a property of 5 acres, that's the part that still astonishes me. Wicking beds are one of my greatest life hacks for creating water-wise beauty and abundance, for a truly productive garden. ⁠ ⁠ I'm opening the garden for a hands-on morning sharing everything you need to know. We'll walk through my garden, the wicking beds, talk soil, water, worm tunnels, what to plant and how to make it work in any garden, from a courtyard to acreage. Of course there will also be cake just out of the oven and a pot of tea.⁠ ⁠ 📅 Date: Sunday 1 November 2026⁠ 🕙️ Time: 10am to 12.30pm⁠ 📍 Location: Little Cottage on a Hill, Daylesford⁠ ⁠ Workshops are kept small, so tickets are strictly limited to 8. Book your place via the link in my bio 🌿⁠ ⁠ #NatashaMorgan #LittleCottageOnAHill #WickingBeds #WaterwiseGarden #TheProductiveGardenCompanion⁠
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October is the month I stop being in charge of the garden. My job now is keeping up with it rather than starting it.⁠
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The asparagus popped up overnight. The crab apple is in blossom and the last of the tulips are blooming underneath while the alliu
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Transform Your Garden This Spring: 3 Simple Jobs to Kickstart the Season⁠
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As spring announces its arrival, I’ve been busy back in the garden. Now is the perfect time to refresh your garden and prepare it for the vibrant season ahead. Here&rsq
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