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Natasha Morgan

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Designing for Expansiveness: Small Space Garden Strategies at Little Cottage on a Hill

March 23, 2025

When working with a small garden, every decision counts. Thoughtful design can transform even the most compact spaces into ones that feel generous, multifunctional, and deeply connected to the landscape beyond. At Little Cottage on a Hill, I’ve applied a series of design strategies to maximise space while ensuring a sense of expansiveness and flexibility. These approaches go beyond aesthetics; they create a garden that feels large, layered, and rich in possibility.

Here are some of the key design strategies I’ve employed to make the most of my small garden:

1. Reimagining the Driveway: A Hybrid Driveway-Courtyard

A driveway is typically a single-purpose space, but I love interrogating and reimagining utilitarian elements (remember my potato composting towers?) and spaces. And so, I saw an opportunity to make my driveway work harder. By widening the driveway slightly and gravelling the entire area, I transformed it into something far more dynamic—a courtyard or forecourt that can function as both a practical circulation space and a social hub.

Now this space seamlessly transitions from its everyday function to hosting a long communal table or a fire pit, making it an extension of the garden rather than a leftover or in-between space. The choice of gravel as a surface material contributes to this sense of adaptability—it provides a structured yet informal quality, making it feel like a garden in its own right rather than merely a thoroughfare.

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2. A Visually Permeable Fence: Borrowing the Landscape Beyond

Fencing can make a small space feel even more confined, but by choosing a visually permeable material, I’ve allowed the eye to travel beyond my garden’s boundary. This strategy creates a borrowed vista, extending my narrow front yard into the verge garden and further still to the rolling hills beyond. The result is a garden that feels far larger than its actual footprint.

A permeable fence also changes how light filters through, creating shifting patterns of light and shadow throughout the day—adding another dimension to the space. I chose to use Wattle and Wire for this purpose (unfortunately now recently closed after its owner’s retired! Someone please take this on as a new business idea as it’s left and huge gap in the garden design materials market!), a fencing style that blends beautifully with the landscape while providing visual openness. The delicate interplay between the woven wire and machined timbers creates a soft and organic effect, yet crisp and designerly, subtly defining the space without enclosing it. This method of fencing not only enhances the aesthetic of the garden but also supports biodiversity, offering a framework for climbing plants and a habitat for small wildlife.

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3. Gravel to the Edges: Blurring Boundaries

Instead of a traditional garden bed layout, I removed the existing long boundary garden bed and extended the gravel right to the edges of the driveway space and planted clipped buxus balls and fastigiated Malus trilobata (Lebanese Crabapples - more on that below) directly into the gravel. This subtle shift in approach does two things: it visually leads the eye further, making the space feel broader, and it introduces a strong structural rhythm.

The clipped buxus balls act almost as sculptural elements—holding the space, adding year-round interest, and reinforcing the sense of considered design. The fastigiate Malus trilobata (Lebanese Crabapples) trees create verticality without adding bulk, a crucial component in small-space gardening.

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4. The Power of Fastigiate Trees and a Lifted Canopy

Fastigiate trees—those with a naturally narrow, upright growth habit—are invaluable in small gardens. They provide height without sprawling, allowing them to be planted closer to boundaries without overwhelming the space. In the driveway-courtyard space, I specifically chose the fastigiate Malus trilobata (Lebanese Crabapples) for their strong verticality, drawing the eye upwards and reinforcing a sense of expansiveness.

By lifting their canopy—the uppermost layer of branches and foliage—I’ve created clear definition between the ground plane, understorey, and tree canopy. This separation not only ensures that each planting layer has its own presence but also allows more light to filter through, reducing the sense of enclosure often felt in small gardens. The canopy also plays a crucial functional role; its elevated branches provide shade while maintaining openness at the lower levels, making the space feel more generous and accessible.

This separation gives each layer of planting its own presence, reinforcing a sense of clarity and structure. It also makes the space more functional—car doors can be opened without interference, and there’s a feeling of openness rather than crowding. The fastigiate form also allows these trees to be placed closer to the fence line without encroaching into the usable space, maximising both beauty and practicality.

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5. Black Fences and Green Walls: The Art of Disappearance

One of the most effective tricks in small-space design is painting fences black. Dark tones recede visually, allowing fences to ‘disappear’ rather than enclose the space. A boring raw timber paling fence can instantly be sharpened up and brought into the design language of the garden simply by painting it black (or any other very dark colour—though my preference is always for black). This transforms what could be an uninspired backdrop into a considered and elegant design feature that frames the garden rather than competing with it.

To amplify this effect, I clad my black-painted fences in reinforcing mesh (reo), using it as a trellis for Parthenocissus henryana* and Clematis to climb. The result is a living green wall that softens the boundaries of the garden and creates a lush vertical element. In small gardens, using vertical space is essential—climbers, espaliers, and green walls all help to add richness and depth without sacrificing footprint.

* Parthenocissus henryana (Chinese Virginia creeper) is a deciduous climber known for its attractive foliage, which features silvery veins on deep green leaves that turn brilliant red in autumn. It is well-suited for creating green walls and is an excellent choice for training on fences, trellises, or walls.

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These strategies are just the beginning. Designing for small spaces is about making every element work harder—creating not just beauty, but flexibility, depth, and a sense of generosity in even the most compact of gardens. By implementing these techniques, I’ve transformed Little Cottage on a Hill into a space that feels far larger than its 515 square metres suggest, and I hope they inspire you to do the same in your own garden.

Thanks for following along on this journey. If you’d like to dive deeper into small-space garden design, join me for an upcoming workshop or explore my online resources.

You may want to check out my related content below:

From Forest Clearing to Town Garden: A Story of Growth – Discover the journey of transforming a space from raw nature to a thriving garden, filled with lessons and inspiration.

Landscape Lingo: The Chelsea Chop and Ways to Have Plants Look Their Best – Learn about the Chelsea Chop technique and other gardening tips to help your plants reach their full potential.

Enjoy exploring these insights for more gardening inspiration!

Natasha xx

Follow along on Instagram, Facebook, LinkedIn, YouTube, or visit my website for more insights into gardening, sustainable living, and the quiet magic of growing.

Tags: Garden Design, Garden Design Principles, Sustainability, Sustainable Living, Living Well, Teaching & Learning
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Tonight I’ll stand in a room full of the people who have contributed to The Productive Garden Companion through its words, a life, and friendships - and hold it up this book amongst you all for the very first time.

I cannot wait  to be amongst
Tonight I’ll stand in a room full of the people who have contributed to The Productive Garden Companion through its words, a life, and friendships - and hold it up this book amongst you all for the very first time. I cannot wait to be amongst a room of the very special people who helped make this book happen. The growers, makers and thinkers whose hands are in every chapter, all in one room on one night. Friends from twenty years back. Family. And you, I hope. I keep trying to think about the words I’ll share. The beautiful faces I’ll see and what my community means to me - the bit where I say thank you out loud and I can’t get through it without emotions flooding in. I’ve just looked over the latest guest list and gosh there’s going to be some extraordinarily important people there tonight. I’d love to welcome you to that room too! Saturday’s Daylesford book launch is now sold out, so if you’ve been waiting for one of these, tonight is the first launch and there’s a handful of tickets left. Then it’s done. $15, welcome drinks and food included. Tickets: tap the link in my bio, choose ‘Natasha’s events, workshops & e-books’, then Melbourne Launch. Melbourne Book Launch Thursday 17 September 2026 5.30–7.30pm Firecracker Events 58A Victoria Rd, Northcote The biggest of big thanks to my dear friend Cassie @firecrackerevent , on this crazy journey with me since my student days in 2002, in more wonderful ways than I can count. Thank you to our incredible supporters @hepburndistillery @victorias.heartland @barry_and_co @thecottageherbalist @billypress_ @acreofroses @amber.gardener @stonewallsmusk @musklanewine @thediggersclub @gardencentresofaustralia @woodendgeneral @avenuebookstore @kateseddon_landscapedesign @mineralspringsco
If I look a bit bleary-eyed in this, it’s because of a book. There hasn’t been a lot of sleep around here lately, and all of it comes back to The Productive Garden Companion. Today is publication day. I keep trying to explain what this book is and I land in the same place every time. Yes, it’s a gardening book. It’s a book about landscape design. And underneath all of that, it’s a book about what it is to live well, and why I keep returning to the garden through every chapter of my life. In many ways it’s the culmination of fifty years of living. It’s the book I couldn’t find. A productive garden, to me, was never only about food. It’s healing. It’s solace. It’s wellbeing, community, biodiversity. It’s a garden that gives more than it takes, and that has been the ethos of this book from the very first page. I hope you find it as generous as you have been with me. Because the support has been unbelievable. Utterly phenomenal. And I truly know this book will find its way into the hands and hearts of people who perhaps didn’t even know they needed it. So this is my invitation. Wherever you are, wherever you grow, whatever your scale or your climate, a balcony with a few pots or a grand estate, this book is there to walk beside you. To inspire you, to empower you, to invite you to start where you are. Grow one thing. Even if that’s all you start with. And maybe let it ripple out. It’s out now. Online, in stores, and hopefully coming to libraries and schools near you. Find it where you find all good books. And I’m doing a massive run to the post office today to send out all of your incredible orders. Thank you. Thank you for being here. None of this happens alone. I have so much more to share. @murdochbooks #TheProductiveGardenCompanion #NatashaMorgan #MurdochBooks #GrowOneThing #GardenDesign
It is blowing a gale up here and I have come out to show you this garden one last time before it all gets cut down tomorrow. The calendar says spring. The garden says give me another few weeks. I go by what I can see, never by the date, and up here it is still wind, still cold, still last autumn lying over everything. It is all bleached and paper dry and moving about in the wind, which is exactly how I want it to look before it goes. I leave it standing all winter for that reason. The birds get the seed, the frost sits on the heads of a morning, and I get to watch the whole thing come apart slowly instead of tidying it away back in March. Tomorrow the lot comes off. We are cutting and bundling every grass and every seed head out of here, because all of it is going to become a botanical installation for the launch at @stonewallsmusk on Saturday the 19th and Sunday the 20th of September. Alissa from @larkspur_flowers__ and are going to create some magic out of it all to fill the gallery! Then when the exhibition comes down it moves on again, to the windows of @woodendgeneral , where I am doing a book signing with @thecottageherbalist and @billypress_ . That one is free but you do need to book so we know numbers. Link on my website. The orange geum stays where it is. So do the box balls, already clipped, holding the bones of the whole thing while everything else disappears. And then there is what is underneath, because under all of this last-of-autumn mess there are thousands and thousands of bulbs already up. That is deliberate. My gardens have to work hard right through the year, so the day I take this layer off, the colour is already there waiting. Structure from the box. Colour from the bulbs. I do think it is worth stopping and looking at a garden before it gets chopped. It is all the same cycle. Nothing is being lost here, it is just going somewhere else for a few weeks. Watch this space. I will take you back out tomorrow with the secateurs going. #gardendesign #gardenlife #australiangarden #LittleCottageOnAHill #TheProductiveGardenCompanion
One week. I can’t get my head around it! I never imagined what book publication day might feel like, and one week out I’m just starting to get a glimpse. Reflective, a little emotional, totally overwhelmed. A whole program of launch events kicks off next week: the Melbourne launch at @firecrackerevent on Thursday 17 September, then the exhibition and book launch at @stonewallsmusk in Musk on Saturday 19 September. But I didn’t start life as a country dweller. I started as a landscape architect with a whole lot of ideas and a whole lot of aspirations. An architecture degree, then landscape architecture, and 15 years working on public realm projects like the Australian Garden at Royal Botanic Gardens Cranbourne. I lectured for 10+ years across RMIT and Melbourne universities. Then I found a country property that was only ever supposed to be a weekender. Meg Travis @girlfridays_notes , captured in my book, said that when she first came to Oak & Monkey Puzzle it was ‘the first day of forever’. It was exactly the same for me. Someone I met out of the blue the other day told me that when they drive from Melbourne to Daylesford, there’s a point on the Ballan-Daylesford Road where they feel something shift. They knew the exact spot and knew nothing about me. That exact spot was Oak & Monkey Puzzle! The threshold of a life where landscape became something I did for me, and then shared outwards. A place that nourished me in ways I could never have imagined. Then came the epiphany about soil, sky, air and water, the one that runs all through the book, and it led me here. Little Cottage on a Hill in Daylesford. Sometimes it’s nice to look back and see how far you’ve come. Here’s a little trip down memory lane. I hope you’ll celebrate with me, not just the fact that the book is so nearly here, but the whole lifetime that got me here. It’s all in the book’s pages. It’s the book I couldn’t find. Part life story, part memoir, so to speak. A lifetime of gardening, a career in design, and the stories of so many contributors from around the world, generously shared. Here’s a snippet of a life that led me here. Book events are on my website
Hi everyone, I’m in my potting shed — greenhouse-y kind of a space — watering seedlings, and all my summer things are starting to germinate. It’s just the nicest time to be in here. I’ve just come back from two beautiful days in Adelaide for the Horticultural Media Association @hmaaustralia awards (Gardenstead @gardenstead was a finalist, so I was there flying the flag). And being back in the shed got me thinking. I’m going to start sharing the nuts and bolts of what I’m doing in my garden, day to day, on my @substack. Unpolished. Unfiltered. Not that I’m ever really filtered anyway. You’ll find this on my Substack account: (@natashamorgangardens) I want this to be a really generous, authentic, raw kind of space where you can actually join me. That’s what my book is all about too — The Productive Garden Companion. It’s a companion because I want it to walk beside you in the truest sense. Something that holds your hand. Something generous and real and warm, my words on the page literally just accompanying you. So here’s the invitation: come and join me on Substack. Share what you’re doing in your garden as I share what I’m doing in mine — I’d love to see it in the comments there. One last thing — all the events for the book are on my website (link in bio), with more being added all the time. I’m so, so grateful to the bookshops, venues and partners supporting me. It’s quite phenomenal, it really is. And to everyone who pre-ordered: thank you. If you haven’t, there’s still time (link in bio) — and bring your pre-ordered book along to one of the events so I can say thank you in person and sign it for you. I hope you’re having a beautiful day. And happy Father’s Day to all the fathers out there! Natasha x #GardenWithMe #TheProductiveGardenCompanion #GardeningAustralia #PottingShed #NatashaMorgan
I am great in my own domain. The thought of being with hundreds of people from across Australia, even though united by a common love, still had me more than a little nervous, travelling to Adelaide as Gardenstead was a finalist at the HMAA Laurel Awards. But I can say, without the slightest reservation, is that in little more than 48 hours it become screamingly obvious that the gardening and horticultural industry holds some of the kindest, most generous, warm-hearted, engaging, authentic people you will ever find. From the HMAA awards held at the extraordinary estate and gardens of Carrick Hill. A room full of people I respect so greatly and deeply admire, from all over Australia. To last nights industry preview at provided a wonderful opportunity to thank Costa Georgiadis firsthand for his kindness in the words he shared about my book. I got to meet people I’ve been inspired by across an entire life. Sophie Thomson, for the very first time. Even managed to give Hannah Moloney a good squeeze. Mamma mia, she is a woman who stands tall, and not just in stature. In energy. What a powerhouse. What an absolute inspiration. Angus Stewart, a delight as always. Sharing a room with Graham Ross. Liz Wilson of Gardening Australia magazine, what an extraordinary person she is. Kind and generous, the sort of person who just makes you feel warm being near her. Connie Cao going from strength to strength. Lisa and Fiona of Diggers, laughing to tears! I have come home exhausted, but also with a heart absolutely full. It’s extraordinary to be able to look back at this community I find myself in. What a magnificent weekend with the greatest of thanks to the Horticultural Media Association of Australia. And Adelaide. What a city. So honoured and privileged to be there flying the flag for Gardenstead. A true honour to be a finalist in a room of extraordinary people. I can’t wait for the next Laurels. Two years away, and so many faces I now know that I just can’t wait to get back there. With the biggest of thanks to every single person tagged here. It was an absolute joy to meet you. X
The garden is beginning to move with the season here in Daylesford, while on the other side of the world, autumn is settling in.⁠
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For the first time, my monthly garden tasks blog covers both hemispheres. What to plant, what to sow, and what to do t
The garden is beginning to move with the season here in Daylesford, while on the other side of the world, autumn is settling in.⁠ ⁠ For the first time, my monthly garden tasks blog covers both hemispheres. What to plant, what to sow, and what to do this September for the five Australian climates as I always have, and now for the Northern Hemisphere too. Over the past few months, so many more of you have been joining me from the other side of the world, and it feels like time to make what I share here work for you as well as it does for the community here at home. So welcome! I am so glad you’re here.⁠ ⁠ Here in the Central Victorian Highlands, we are still finishing winter. What locally we call ‘Sprinter’ will linger for a good few more weeks, before Spring is truly here. The wattle is gold on the roadsides. And a frost or two is still to come.⁠ ⁠ If you are in the Northern Hemisphere, September is when the set-up for next spring begins. Bulbs. Garlic. Cuttings. Seed collecting and sharing.⁠ ⁠ The full September blog is now live, with guides on what to sow and plant in September and task guides for every climate group. Find the blog on my website, link in my bio 🌿⁠ ⁠ And if you think this might help someone else too, please share it with a gardening friend on your side of the world.⁠ ⁠ ⁠ #TheProductiveGarden Companion #NatashaMorgan #GrowOneThing #SeptemberGarden #ProductiveGarden⁠
I always say my year doesn't start in January. It starts when the sap rises. And right now, you can feel it beginning, see it happening.⁠
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The tête-à-têtes came up on the western verge in the last days of August, small, certain, a
I always say my year doesn't start in January. It starts when the sap rises. And right now, you can feel it beginning, see it happening.⁠ ⁠ The tête-à-têtes came up on the western verge in the last days of August, small, certain, absurdly yellow. The light lands deeper into the beds now and stays later. All winter I wrote about watching. Spring, I've come to think, is about feeling.⁠ ⁠ Though on this cool-climate hill it isn't truly spring yet. Frost keeps visiting until late October, maybe even later, so what comes first is the in-between I like to call 'sprinter'. We'll have two warm days that convince you is Spring is here, then a morning that bites. One step forward, two back.⁠ ⁠ I've written a reflection on this inbetween season on the blog. Where the word flora actually comes from, the roses on the fence that refused to sleep this winter, and the one thing the season is asking of me now: tending.⁠ ⁠ Fifteen days from today, The Productive Garden Companion, a book I've spent two years growing, goes out into the world. My own small becoming. Sap rising in another form.⁠ ⁠ Read the full piece on the blog or Substack, link in bio 🌿⁠ ⁠ Xxx⁠ ⁠ #productivegarden #gardendesign #GrowOneThing #TheProductiveGardenCompanion #NatashaMorgan⁠
Winter is very nearly 'over'. I say that in inverted commas, because here we have an unofficial extra season, 'sprinter'. For a couple of months in the Central Highlands it teases you, making you think spring is on its way, then plunging you back into winter. It's a dance that can leave you exasperated. But you learn to live with it, and as a gardener, also to value it, because it gives you one last window of observation: a chance to read the garden before the flurry of green and colour of spring, summer and later autumn cloaks everything.⁠ ⁠ I never used to like winter. I used to dread it, in fact. Then I discovered it is the most powerful time in a garden, not because of what it produces but what it reveals. Winter reveals the bones of your garden: the structure, the positive and the negative space, the hollow, the form, the void. All the other seasons add another layer to it. If my garden in the depths of winter still feels like it has its place, then I know without a doubt that it will operate across every one of those seasons. If a garden works in winter, it's a garden that works.⁠ ⁠ So before the colour comes back, get out into your garden and see what winter is telling you. The full piece, What Winter Shows You, is on the blog, and much of this thinking sits at the heart of my book, The Productive Garden Companion. Signed copies are available via the link in my bio.⁠ ⁠ #landscapearchitecture #gardendesign #wintergarden #TheProductiveGardenCompanion #NatashaMorgan⁠